December 12, 2016

Evil skull drawing

The Fine Arts Academy

Searching out a terrifying evil cranium drawing educational?Look no further, this is going to be your last evil cranium forestall!

In conceiving this academic I desired to create a drawing that changed into at the identical time certainly frightening (in the right feel) and smooth to recognise.

So i have created the image we're going to draw with a watch to feasibility even for an inexperienced drawer.

Simply observe the steps and also you must have the ability to walk away with a frightening cranium to apply on your horrifying initiatives (some thing they might be).

Permit’s begin with the evil cranium drawing tutorial!

Evil skull drawing – Step 1

let’s start with an smooth shape, a vertical rectangle. Clean sufficient? Allow’s then divide it into four parts via drawing a vertical and a horizontal midline.

Evil cranium drawing – Step 2

Draw a circle in the upper 1/2 of the rectangle. This can be the principle mass of the evil skull head. Now we want to feature the evil eyebrow traces.

To draw them simply draw two easy strains from the center of the huge rectangle to the perimeters of the top half of the rectangle as shown within the picture. Now comply with the arrows and draw the form of the upper a part of the mouth.

Evil skull drawing – Step three

good enough at this point we're going to upload the mandible of the skull, the eye sockets and the nose.

Evil skull drawing. First draw the half of eye sockets. Be very tough it doesn’t count precision now.

Then function the nose. As you may se a trapezoidal shape is enough to dam it out. Eventually draw the mandible. This could seem as a barely tough shape but it isn't. Use straight lines to attract it approximately following the shape in the picture. Up to now so easy!

Evil skull drawing – Step four

Having described the fundamental shapes of the evil skull drawing it is now time to open the dances (metaphorically!). Begin adding info to the pinnacle. Try and observe my lead but you do now not really need to.

Just go with the flow and start shaping the numerous parts of the evil cranium as you want. I've introduced teeth, rounded the eyebrows and brought some traces right here and there to make the cranium look smoother and much less stiff.

Evil skull drawing – Step 5

it is a god time now to easy up your drawing a bit. I used a 2H pencil all of the manner however a H would possibly do as well. Keep running on the details of the cranium and recall to paintings you drawing as a whole without focusing too much an a single component.

I've used a reference photograph of a real skull from this factor on to feature that bit of realism to the drawing and that i inspire you to do the same. Referencing cloth is an indispensable tool for an artist and with internet nowadays you have no excuses!

Evil cranium drawing – very last Step

WoW! Can you consider it? A bit little bit of extra paintings and you've done a amazing evil skull drawing to scare pals or paint on your motorbike. Congratulations!

[quote_box_center]except for the mandible, all the bones of the skull are joined collectively by using sutures, rigid articulations permitting little or no movement.[/quote_box_center]

As you could see i've decided to add the eyeballs to my horrifying pal as well as a few sutures and foramina to present that realistic experience to it.

By: Farwa Urooj

The Fine Arts Academy

This Painting About The mother love of his child... its made on 8 by 8 canvas,,

By: Farwa Urooj

By: Farwa Urooj

By: Farwa Urooj

By: Farwa Urooj

By: Farwa Urooj

By: Farwa Urooj

December 9, 2016

Drawing Manga - Page Layout

Setting it all collectively

here are examples from my own work with evaluation to help clarify the above factors. I am studying my work to factor out the notion process in the back of the layout of the pages. A a success format will manual the viewer in a way that they need now not focuse upon the way to study manga, and allows them to concentrate upon what you try to communicate on your tale. It's far more powerful to see how these approach are positioned to use. The pink marks were introduced at the picture to expose how the route the attention could travel along the web page. Click on at the picture to view the unique.

These first two examples are from the time I did no longer have any display tones. They're shaded in with pantone markers. This panel is about anticipation and SUSPENSE. The primary "box" begins at the top left hand corner. The BLACK regions here (the determine standing in a waiting poise, the bush subsequent to the figure) serve to trap the eye of the viewer from the pinnacle left. Notice that the page as an entire is predominantly white, but the areas of black function paths for the viewer's imaginative and prescient. The foreground discern at the lowest of the diagonal field is toned out to offer suspence in addition to placed the focal point upon the determine in silhoutte. The following field is the one in the upper right jutting out. Because it OVERLAPS the first field, it is a visible cue for the reader to view it next. The black bush also acts as a image VECTOR to factor the viewer in the direction of the field on the right. The notion speech container under is examine subsequent as it lines UP with the only above it. The female's face with an expression of surpise makes it quite clean it become her idea speech. The thriller boy's face at the bottom of the page is a method known as SHOT reverse SHOT in which we see what she sees as it's far found out to the audience in addition to to the man or woman. Observe that the usage of shot opposite shot right here has pointed each her face and his in the direction of the viewer, which in actual existence does not manifest. How it is used has permit the reader interpret it as thus.
Observe the format on this 2d panel. This one has no speech, but you may see the action truly. The upper left has been toned, to motive the eye to begin there. The photograph of the hallway (in rotten attitude...I still have a few problem with it) is an setting up shot, giving a putting. Fading right into it's far the sick woman's face--implying that she is within the room. Our eyes dart quickly to the panel wherein the curtains are pulled apart. This square catches interest because of the rich black against the white, and because of the curtain that is drawn aside to provide the experience of disclosing. All of the characters' eyes are searching toward the unwell ladies' face; but some other shape of picture vector. The 2 boxes which make up the scene with the woman's arm not best fore-shadows what is to show up, however the arm itself is an arrow that factors downward to the face within the decrease right hand corner. We are able to imply from the direction the face is calling that the man or woman is advancing towards the lady.

This page, unlike the others, has no firming. It also reads from right TO LEFT, the original intended for a chinese target audience. The tree is a image vector; the branch points us up to the pinnacle left of the page. The timber inside the history are black, which foregrounds the slumbering discern in the front of the tombstones. Be aware that the higher third is predominantly black, while the other two thirds are left white; this offers a feel of balance to tremendous and poor area. A number of the black on the candle holder at the lowest left prevents the nook from feeling too bleached out. The overlapping of the speech bubble suggests that it is study next, and the boy's face attracts attention. From following in which his eyes move, we consciousness upon the end of the candle's flame. It's also overstepping the boundary of the field, causing it to be a middle for awareness. Looking at the bottom rectangular is calling out from the boy's point of view. Right here is yet some other shot reverse shot. Because the boy and the viewer both see the candle first...The eyes will step by step move to the headstone in addition lower back. This turned into supposed to be viewed in this kind of way to motive the reader to sense the character's feelings which can not be expressed in words.

Here is but every other page from dark delight, however illustrated very these days. I commenced to use screentones (the little dot patterns) after acquiring them instead of markers. The caption is located on the higher left as it is meant to be read first. Following the caption down, the bridge with it is perspective lines function a route for the eyes to journey down the web page. The historical past is rendered basically black and white to save you the page from feeling too mild, and to also lessent the use of tones. The bottom right square is visible next because it juts up better than the alternative squares. The tone within the center container is used to display screen out the crowd of human beings and produce the character into attention. Following his ponytail, we're drawn to the speech bubble which calls out his call. The ultimate rectangular makes use of a floaty tone because I did now not wish to expose the speaker until he subsequent page
i am hoping the analysis helped you gain a higher understanding of the strategies used in designing page format for comics. When you have any questions about the above, or even questions regarding inking, screentones, manga components or the like, experience free to depart a note on the message board underneath. If you actually liked the samples and are inquisitive about viewing my manga, make certain to visit dark delight. That is all, and thank you for reading this article. Correct success to you while you illustrate your comedian!

Drawing Manga - Page Layout

Drawing Manga - web page layout

i'm assuming you're familiar with US manga, and need a little help on starting out. Positive terminologies can be briefly defined, but, the point of interest of this article is not on the technical skills of managing mediums (inking, screen tones, and many others), nor does it offer stylistic hints to drawing eastern anime/manga characters. This article is supposed to offer perception to compositional elements for effectively illustrating comics and manga.

Notice: first of all, i'm no longer a professional; i am a fantastically new newbie to illustrating manga, and what I should offer is only what i've picked up mostly on my personal thru studying different artists' work over the summer 2000. Please take into account that all examples are my personal art work, as I don't have any aim of violating the copyrights of other artists. If you want my paintings, please go to my on line manga

An information of format is essential to drawing manga. It's far the manner the bins are laid out at the page. Layout is a complex method and hard to educate. There may be no real "key" to a hit layout; it comes from experience, publicity to a spread of work, a strong feeling of your objective, and your very own intuition. It's far more than genuinely drawing a bunch of boxes. It's miles the skill that combines all of the competencies into one and IS the presentation of your paintings.


Composition is all about the manner a bit reads. A few aspects contain the use of lighting and darks (effective and negative spacing) on the web page, the site of photos, the way it flows in phrases of the way a viewer would understand it. It additionally helps decide the mood and feeling of the story. A story with massive boxes and free pics may portray mental drama. Smaller and large numbers of packing containers have a more sequential experience. Also, positive images and overlapping of photos can assist direct the attention from one area to any other, or carry an issue into hightlight.

High-quality/terrible spacing:

high-quality area refers to regions which might be white on a picture; negative area refers to regions which can be black. The nice compositions strike a balance in nice and bad area. Balance does no longer strictly seek advice from symmetry. Stability can generally be achieved through following the rule of thumb of thirds: dividing an image into 3 components. You may also gain balance with the aid of including blacks to areas with an excessive amount of white, and white regions to those which are predominantly black

Any piece of art work, along with a comic web page has a waft to it; that is, how the eye travels throughout the web page. Maximum readers of Western languages examine from right to left; Asian languages and Hebrew read from left to right. Depending to your audience, your page layout will accommodate the route you wish humans to view it. I read by and large eastern comics, but the ones I illustrate are in English. Text and imagery are very crucial to how the reader eye's will tour on the web page.

the dimensions, shape, and role of bins can help decide the characteristic, it's significance, and what it serves to painting the action. Bigger packing containers will typically maintain the eye longer and are top for organising background, or a key movement. Smaller bins are for minute details that could deliver out greater of a person's persona (i.E. Twiddling hands, pulling out a cigarette, and many others.).

December 8, 2016

Drawing the Face and Head

one of the maximum crucial and most difficult activities for an artist is to attract an appealing face. That does not just involve the aircraft the face is on, however the complete head as nicely. The right face on a figure can make or smash a drawing. Let's try to cover the way to draw one, lets?

The skull

As each art college scholar can attest, one of the first things they're taught to attract bearing on the human figure is the skeletal shape. Each drawing magnificence i have been enrolled in starts offevolved with sketching of the skull. The panes of the skull imply where the muscle groups and pores and skin attach. The entire understanding of skeletal structure can help in no longer simplest drawing, however painting and sculpture. Animal skeletons supply the equal statistics. Think about it as foundation for a constructing.

Step one in drawing the pinnacle (and anything else for that rely) is to break the entirety down into easy shapes. Make a hard circle indicating the skullcap, the primary body of the whole cranium. It's miles all proper not to be correct to the millimeter since you are possibly going to erase your basis later, however do not draw the jawbone connecting to the top of the cranium or something.

From the facet view, the jaw extends to the center of the cranium cap. In case you are harassed, simply think about your ear. If you follow the line of your jaw upwards, you will see that your ear begins from there and emerges at the back of that middle factor. At the edges of the bottom of the skullcap is where the real jaw attaches. The space between the lowest and the top of the skullcap ought to be equidistant (the equal period) as the lowest of the skullcap to the lowest of the jaw.

Now, for greater measurements. Around the lowest of the cranium cap is the road wherein you draw your eyes (pretty a whole lot the middle of the eyes). The space between the eyes ought to be one eye. The width of your face is about 3 eyes.

Halfway between the eyeline and the lowest of the jaw is the bottom of your nose. Between the bottom of your nostril and the lowest of your jaw is the line between your lips. Were given all that? There may be even extra! At the perimeters of the top, between the eyeline and the bottom of the nostril is the ears! It is right, the pinnacle of the ear ought to align with your eyeline and the lowest of the ear should align with the nostrils.

The real Facial capabilities

The maximum famous facial functions in almost all cultures are the eyes (please forget about the flies). At the left is a image based totally drawing of the attention. Note that the scholar is larger than most suppose. It's due to the fact the eye is slightly quinted. Even then, the simplest example yous ee all the scholar of the eye is whilst a person is either amazed or commencing their eyelids completely extensive.

The eyebrow can are available many styles. Commonly, the eyebrows on a girl are greater first-class and delicate whereas a male's eyebrows tend to be slightly hairy and erratic pn how the hair grows. The eyebrows generally extend handiest a touch beyond the corners of the attention. The eyelid itself has a tendency to be more pushed in closer to the nose (contact your own eyes if it helps) and receives extra pushed out by means of the curve eyeball itself faraway from the nostril bridge. With one line, you can lay down an indication of the eyelid shadows near the nostril. I'm no longer positive of the technical terms so endure with me.

The eye itself need to be even though of in three dimensions. There may be a spherical eyeball in the back of all of the workings of the eye and it movements. The iris of the eye (the shade of the eye) pops slightly outward (think about a contact lens). Every now and then, depending at the character, the opening of the eyelid curves open greater where the iris movements around. Ask a friend to look around without transferring their head and see for yourself.

Every other alternative that many artists ignore is the little fold above the opening of the eye, what I call eyelid wrinkles. In case you location them better on the eyelid, it'll give the effect of a lazy eye. Place them decrease and the attention appears greater alert. I nation 'them' very loosly due to the fact maximum of the time it's just one line indicating a fold.

Eyelashes are usually concept of as inconsequential, but are one of the most apparent indicators of sex. The greater lush the lashes, the greater female the determine seems to be. In actual existence, male eyelashes are sincerely longer than women, but females generally pressure them more. In either case, it's miles any other small nuance of the face that ought to be paid interest to. Maximum of the time, many artists advise at eyelashes through making the 'pinnacle' line of the attention bolder and/or thicker than the lowest line or gradiate the thickness of the lowest line to the outer edge of the attention. With a bit of luck, you could see that within the simple line/shadow drawing above.
Every other word to heed is that females have a tendency to have larger eyes. Not to mention that females have bigger eyeballs, however the male eye has a tendency to have a greater no-nonsense opening. Their eyes are a bit greater 'narrow' and 'quick' whereas a girl's are typically greater expressive in their width, hieght, and curves. Again, this will always flux with ethnicity.

The nose

shifting down the center of a face is the nose. The length has already been included. The bridge of the nose (i am no longer too sure) is where there's an inward curve to the nose at once among the eyes where glasses generally perch. Skull-smart, this vicinity is among the forehead ridge and the nasal bone (?). I am no longer too top on anatomy, however the sinuses are someplace round there. Inside the illustration above, you could see the lowest a part of the nostril. The top of the nose is also thought of as a sphere and the nostrils flare out from the tip. Almost like a three cornered pyramid fo the whole nostril, the nostrils rest at the back of the tip of the nose, sort of connecting it to the relaxation of the skin/face. There is usually a darkish shadow under the nose. In case you are worried about shading the nose efficiently, you can think about the anime fashion of drawing. Their noses are like a test mark, simple, but there are many versions. The can honestly illustrate all the essential planes and angles. Don't be afraid to 'play around along with your nose'. You may have a 'perky' nose by using just adjusting the tip of the nostril a bit better than the nostrils. A nostril that has been broken may be indicated by means of a touch bump at the location where the nasal bone might be. A huge nose can imply a stubborn streak or ethnicity. You are an artist, growing versions is your task.

The Cheeks

around the nose are the cheeks. Human beings tend to not truely focus on this expanse of pores and skin, however it is able to make a individual look imply or seductive. Pressing into your personal cheeks, you could experience your cheekbones. They are normally low, finishing on the identical height as the lowest of the nostril. Every now and then, on the absolutely chiselled facial functions, the cheek bones ride excessive, making the face look gaunt or lengthy. You may enlarge the cheeks to make a more pudgy man or woman or draw strains curving inward on the cheeks to suggest that cute waif appearance. In no way underestimate the electricity of the cheekbones.

The Lips and Chin

transferring back off and middle, we hit that lil' piece of upper lip. There is a middle fold which most indicate with a little shaded line for the middle, then a spanse of shadow for the cheek (inside the case of severe lighting fixtures to the side of the face). Many selected to ignore it as it's not this type of man or woman building region, however think about it. On a male, you can match a thin, sinister mustache or a thick, fatherly mustache. The versions can be amusing to discover.
Now for the debatably sexiest part of the face: the lips. The lips themselves are manifestly the higher and lower lip. On the center of the upper lip, there is a bit nub that isn't always unlike the prow of a ship. Generally the lips flare up and out from that point (in line with ethnicity) and narrow at the rims of the mouth. The decrease lip as a center as properly, however it does not 'stick out'. Think about perhaps a sausage tied loosely at the middle. There are  fleshy elements at the decrease lip, extra apparent on infants and/or adults with 'cherub lips'. In truth, simply look at a cherub ;) commonly (due to the fact this differs with sure ethnocity), the higher lip is thinner than the lower lip. On males, the lips are thin initially and are barely wider than girl lips.
Below the mouth is a touch indentation that separates the lips from the chin. Many have a tendency to forget about approximately this on account that the lowest lip indicates the 'border' so properly. My therapy for drawing male lips (in which if you draw out the lips absolutely, they look female), is to draw and colour this little indenture. Relying at the source of mild, this can be a focal point on whether the drawing is a success or a failure.

The Ears

easy sufficient to disregard, however a facial feature, however. It's clearly cool to strive on jewelry on a drawing. The ears themselves are boneless. They are contructed with this semi-difficult tissue known as cartilage, therefore, you do not must fear about underlying bone shape. But, ears are formed in another way consistent with every character so that you can get away with never drawing the same ear twice.
One of the things to keep in mind with a lot freedom is how the ear works. The ear has the function of funnelling sounds into the ear canal, therefore it is ridges have the equal round movement of a seashell (forgive me if this is an awful analogy). The ridges can be idea of like wrinkles in material that flare from the middle, below the little bump of cartilage before the outlet of the ear canal. If you can sense for your personal ear, the more difficult the cartilage, the more diffused and severa the ridges are. It's miles your call whether to draw in detail the ear or not. I've simplified my ear example for a general feel. In case your drawing does no longer have a cloes up of the ear, drawing more information into it might maximum possibly remember.


Blind sketching

My cartoon book is always with me, i love drawing, the problem is that i'm a shy drawer. The concept of a person noticing me drawing him/her makes me extraordinarily uncomfortable. It is after I find blind sketching useful. Blind sketching is a very simple method that allows me loosen my drawing line and gives me an exciting start line for individual design. It forces me to go out of my "comfort area" and enhance my fashion.

The precept is very simple. The idea is to no longer appearance  (or at least, appearance much less) on the drawing paper whilst sketching speedy an item this is being determined.  Very regularly it offers not anything, only a pile of gibberish strains. However every now and then it is able to capture the essence of a posture or a motion in a completely unique way. The unpredictable distortion that's created due to the procedure can be a great begin for designing or illustrating characters.

December 7, 2016

10 sketching tips for beginners

 Use varied lines

Use various lines, says illustrator Rovina Cai. "not all lines are equal. Diffused shifts within the width and darkness of your strains will create a dynamic, visually interesting drawing. Controlling the kind of mark you positioned down may be problematic within the beginning, however with exercise you'll be able to create a diffusion of marks that paintings together to make a cohesive picture. Test with exceptional pencil grades (from 3H to 6B) and with retaining the pencil at special angles."

07. Silhouettes

Sketching suggestions for beginners: Silhouettes

in case you have a look at the examples right here, it’s clear that the first girl is holding a mug, but what approximately the second one? It’s no longer as clean!
"have you ever ever noticed that each crucial man or woman in an animation film is recognizable from their shadow by myself?", says artist Leonardo Sala. "This magic has a call: the silhouette. The purpose of finding a strong and interesting silhouette is to create an without problems recognizable man or woman with the intention to continue to be clear within the visible memory of the viewer.

"to test out whether your characters are readable as silhouettes, clutch a piece of tracing paper and hint around your person, filling it in with a solid colour. A extraordinary way to test your silhouettes is to reveal them to your pals or colleagues and ask them what they see."

08. Mirror with tracing paper

Sketching hints for beginners: mirror with tracing paper

Flipping the image to focus on issues
"A benefit of tracing paper is that you can flip it over to see how your drawing looks from the reverse attitude," advises artist Justin Gerard. "this will help display errors in share. As you figure, take benefit of this for you to arrive at a more a hit drawing."

09. Symmetrical but now not quite

Sketching guidelines for novices: Symmetrical however no longer quite

hold a pleasant contrast going between a completed appearance and a more of a sketchy experience
"i like symmetrical drawings however they often look boring all too fast," says Croes. "a very good manner to prevent that is to add a few subtle modifications and only hold the general traces symmetrical instead of mirroring each small part. Retaining some factors asymmetrical helps to avoid dull repetition."

10. Mix it up

Sketching guidelines for beginners: mix it up

An example of an example the use of irregular traces
"the use of irregular traces while shading adds loads of dynamism on your sketch," Bomba says. "in case you need to create a sparkling and particular sketch of a portrait, structure, or idea artwork, you must in reality use this approach. I exploit it to sketch loosely, flat backgrounds (if there is no texture, this method will upload a few), bushes, or grass."

10 sketching tips for beginners

The beginner's guide to Sketching offers lots of idea and recommendation for every person looking to take their first innovative steps or wanting to add a brand new piece to their design portfolio. The comprehensive guide covers the whole thing from choosing the right drawing tools to expertise shading and value, including colour, and growing a finished scene.

If you're a whole amateur, you need to have a look at our seven fundamental pencil drawing strategies. However right here, some of the artists that contributed to the beginner's guide to Sketching offer a few professional recommendation to get you off to a flying start...

How to create curly hair with simple lines

Need to draw curly hair? Illustrator Farwa shows these sketching hints: "Draw  directly vertical strains; these might be your pointers for the width and length of the curl. Now loosely draw a wavy line down among the 2 lines.

"Double this wavy line a little beneath the first. You may already see a curly ribbon forming before you. Now join the open components on the perimeters, do away with the tips, and add some information."

. Avoid smudging

when shading, use an additional piece of paper underneath your hand," advises artist Brun Croes. "this may decrease the quantity your hand smudges your pencil strains. If you're right-exceeded, begin shading from left to proper; if you're left-exceeded, begin on the proper and move to the left.

"there may be not anything more frustrating than seeking to make a clean-searching drawing that loses its brilliance and fee way to steady smudging. Rather, use smudging for your gain once in a while to easy out shading. You may do that with several gear. I exploit a easy piece of tissue paper to get the job accomplished.

Keep some texture

Designer Patricia Ann Lewis-MacDougall shows preserving a few texture. "a few artists might find the use of watercolor crayons a touch on the grainy aspect; however I like the delivered life the grain gives to a comic strip. You do not ought to upload water over the entire picture. Leave some areas untouched to feature a piece of texture on your sketch."

How to sketch sky

if you want to cartoon a sky, artist Farwa has some advice: "sometimes it is most popular for your shading to be much less sketchy and more easy and subtle. Pencil traces do not combo perfectly until you are very careful. We don't need a sky complete of scribbles, until it's on motive!

"rather, use spare paper to doodle a big swatch of soft graphite or charcoal pencil, then use a massive mixing stick with select up the soft dirt to use to your picture. Maintain the use of the mixing stick and adding greater scribbles as you need more graphite. The use of the same technique, begin darkening a few areas of the sky to define the tops of the clouds."


Take control, says illustrator Sylwia Bomba. "in case you position your hand in the direction of the quit of the pencil, you have got more manipulate and precision, but heavier strokes (darker markings). Gripping in addition up the pencil will come up with much less control and precision, but lighter strokes (lighter markings)

Artist Farwa Urooj

Painting Techniques when using Cobra

What is GLAZING precisely?

Whether or not a portray is painted wet-into-wet or in layers, a glazing can be implemented as a very last layer.

A glazing may be implemented as a very last layer; this is a transparent layer of paint the impact of which can be in comparison with that of a tinted plate of glass positioned over a photograph: the image itself does not alternate, but the colours do.
The motive for applying a glazing can be that a painter isn't pleased with positive hues and wishes to change these while not having to color over the precise phase once more.
Every other motive may be that the painter is intentionally seeking to acquire the visual effects of layers of glazing (an teeth-type of top layer and deep colorings) and to intentionally use an underpainting as a basis of bringing a portray into the proper coloration using one or extra layers of glazing.

Do not allow brush strokes to be seen in a glazing as you'll continue to see these of the underlying layers thru the obvious paint; a glazing medium therefore has to float. Thanks to this assets you could additionally make flowing color transitions in a glazing.

Of direction a layer of glazing needs to be more elastic than the underlying paint film as here, too, the 'fats over lean' rule needs to be observed. You can't always foresee exactly what number of layers are had to come to a quality result. Make certain therefore that the paint is in no way too fat, so that any next paint layer is then nonetheless capable of bond.


Sure that is viable, imparting the subsequent is considered. By adding a small quantity of paint to water you produce a completely skinny and obvious paint. But if a large quantity of water is added, then the substantially thinned oil does now not produce enough safety for the pigments. For a first cartoon wherein later thicker paint or paint thinned with medium is used to color over it, this is no hassle.
If a painting is made handiest with very thinned paint, it's miles recommended to add at the least 20% Cobra portray medium to the water. The floor does however ought to be organized for oil paints.

What's IMPASTO painting?

Impasto is a painting approach whereby the paint is applied directly to the work in very thick layers. The Impasto method permits reliefs to be included within the paint layers. Use a palette knife or a brush for this method.

CAN AN OIL portray THAT HAS BEEN PRODUCED the use of conventional OIL PAINT BE finished using COBRA WATER MIXABLE OIL colorations?
Cobra is a pure oil paint and can be used over traditional oil paint. If it issues an older painting that is absolutely dry, it's miles advocated which you first wipe it with white spirit or turpentine. The way one keeps on the portray relies upon on the composition of the ultra-modern layer of traditional oil paint. The 'fats over lean' rule need to additionally be followed right here, whereby it may be assumed that each forms of paint are similarly fat. The latter also applies to everyday portray medium as opposed to Cobra water-thinnable portray medium, and fashionable glazing medium as opposed to Cobra water-thinnable painting medium.

I nevertheless HAVE a few traditional OIL PAINT AND want to start the usage of COBRA. Am i able to USE THIS PAINT UP by means of mixing WITH WITH COBRA?
Cobra water mixable oil colour is a natural oil paint and can be thinned the usage of solvents consisting of white spirit and turpentine. It is then no hassle mixing with conventional oil paint. As soon as the antique tubes of 'everyday' oil paint are completed, you could trade from solvents to water. If, however, most effective water is used, the water mixability will lower as more conventional oil paint is added to Cobra and brushes may be more difficult to rinse. With a purpose to be able to thin a combination of Cobra and conventional oil paint with water the paints should be mixed nicely the use of a palette knife and a large a part of the mixture has to include Cobra water mixable oil paint. The ratio may range in keeping with color.

This does certainly manifest sometimes and is called binder separation. This happens specifically when there is air within the tube. If so preferred, the oil may be mixed returned into the paint, or absorbed by as an instance a tissue.

I would like TO strive OUT COBRA WATER MIXABLE OIL hues but DO now not need to shop for TOO many colors. WHICH shades ARE nice TO start out WITH?
The Cobra brochure gives an example of a basic palette. Another opportunity is to work with simply the use of number one shades plus white: primary Magenta 369, number one Cyan 572, number one Yellow 275 and Titanium white 105. Already with those four colours a wide variety of colours can be created.

December 6, 2016

Painting Techniques when using Cobra

What is the nice manner to mix COBRA WATER MIXABLE OIL coloration WITH WATER?
Mixing with water can be achieved in  approaches:

skinny the paint a little with a small quantity of water. Here the water and the paint have to be blended properly grade by grade to gather a homogeneous mixture. The emulsion between water and oil does now not occur spontaneously, but desires to be inspired.
Upload water to a touch little bit of paint to create a very thin and transparent paint with a water shade impact. If, but, a terrific deal of water is introduced, then the greatly thinned oil gives insufficient safety for the pigments. This isn't always a hassle for a first drawing that's later painted over with a thicker paint or paint thinned with a medium. If best significantly thinned paint is used for a painting, then it's miles encouraged to add at least 20% Cobra portray medium to the water.


Alla prima way that the painting is painted 'wet-into-wet'. In this approach you mix colors not simplest on the palette but additionally at the painting itself and the paint is carried out against and over each other. A painting need to be finished even as the paint continues to be wet and so the portray could be built up of a single layer of paint. The paint may be applied pure or with the identical thinner all of the time. In the latter case the most long lasting end result is produced the use of Cobra painting medium


With layered painting you increase the portray from diverse layers. A subsequent layer can only be applied once the preceding layer is dry enough to make certain that it'll honestly not dissolve. With a layered painting a method is followed that is called 'fats over lean'. Each subsequent layer need to include extra oil.

The first layer have to be carried out lean. For this the paint is thinned with water. At some point of the drying of this deposit no compact film of paint is formed, but rather a porous one. Oil from a following layer will consequently be absorbed by using the underlying lean layer and so while drying will adhere in the numerous pores. This helps to create accurate adhesion among those  layers. As an underlying (lean) layer abstracts oil from the top layer, it needs to be ensured at some point of portray that the underlying layer has incredibly more oil. If this isn't always the case this can have an effect on the exceptional of the portray.

With regards to the mutual adhesion the fats over lean precept additionally has a characteristic in absorbing the tension among the various layers of paint. The portray is continuously uncovered to motion; on the only hand because of the flexibility of the grounds along with the artist's canvas, and on the other hand thru, as an example, modifications in temperature and air humidity. For the sturdiness of the painting it's far consequently critical that all paint layers can absorb those moves. The more oil the paint layer includes the extra elastic it'll be once dry.

If a painting consists of several layers wherein the beneath most layers contain more oil than the only without delay above, therefore in opposition to the fats over lean principle, then the much less elastic higher layers will in the course of time shrink back from each other via the extra strongly transferring underlayers. Once this is noticeable to the human eye we refer to it as crackling. This may be averted via making each next layer a bit fatter. The fat over lean precept can consequently also be interpreted as 'flexible over much less flexible'. This clarifies right now why a layer of paint must be sufficiently dry earlier than the next layer can be carried out. A layer that isn't sufficiently dry during is often too elastic for the subsequent layer, with again viable cracking as a result.

The range of layers applied to make a portray is of route a non-public preference. It is really useful, but, to skinny the primary layer with water. The greater water, the leaner the layer of paint.
As soon as the first layer is adequately dry, the second layer of paint is implemented. As of this factor there are numerous possibilities for continuing further:
1. Skinny every subsequent layer with increasingly less water; every subsequent layer therefore contains distinctly more oil. You may in the end emerge as with pure paint.
2. Thin the paint for the subsequent layer with painting medium. An awesome medium consists of three additives: oil, resin and solvents. The oil makes the paint fatter, at the same time as the solvent guarantees that the paint does no longer turn out to be too fats. The third element resin increases the sturdiness of the paint layer. In case you building up a portray in extra than two layers, you may blend the medium proportionally with water from lean to more and more fatter. The larger the relative amount of medium, the fatter the aggregate. In the very last layer you could blend the paint with pure medium.

December 5, 2016

Artist : Farwa Urooj (Oil Painting Work on Canvas

This is work on still Things example fruits tables 

Artist : Farwa Urooj

Artist : Farwa Urooj

Artist : Farwa Urooj

Artist : Farwa Urooj

Fundamental Drawing Strategies

Whether or not you emphasize line or value to your drawings (or both), making use of some essential drawing techniques in your system will assist you increase your drawing capabilities and improve your consequences.

Choosing Your Orientation

Earlier than you begin drawing, you may want to decide whether or not the height of the subject is greater than its width. If the peak exceeds the width, then typically, you would orient the composition vertically. If the width of the challenge is extra than its height, orient the composition horizontally.

Holding Your Drawing Tool

Whilst you keep your drawing device, grip it farther returned from the point which you could in case you have been writing a letter. This can help you draw with freer, bolder strokes. If you use chalk, it’s an amazing concept to use a chalk holder to behave as an extension. If you’re keeping a small piece of chalk, you may work an excessive amount of with your wrist; it’s higher to paintings mainly out of your shoulder and elbow.

Positioning Yourself

Stand or sit straight, a long way sufficient far from the concern so that you don’t should boost or lower your head whilst looking backward and forward between the difficulty and your drawing. You need that allows you to see the situation and your drawing in one look. This can allow you to make comparisons greater correctly
and accurately.

Drawing Big

After you’ve hooked up your orientation, set pointers for your drawing so that you can healthy the drawing within your marks. Get used to drawing large because it encourages you to attract all elements of your problem. Mistakes are a good deal less complicated to peer at a bigger scale, and drawing big has the benefit of permitting you to include the small, beautiful structures of a form. Studying to draw on a large scale makes it simpler to draw on a smaller one. The other isn't always genuine—if you get secure drawing small, then drawing huge becomes tough.

Sketch the Whole, Not Parts

Make your first sketch with the fewest, lightest traces viable to be able to capture the general concept; it’s without a doubt an approximation of what the completed drawing will appear to be. The generic rule of all drawing is not to complete any unmarried element proper away, but to faintly cartoon the whole. In other words, you need to give a certain visibility to all of the principal components earlier than finishing any unmarried element. This may allow you to make sensible and knowledgeable corrections. Regardless of the level of a drawing, it need to have the identical diploma of decision during.

Keep It Sharp

Continually hold the factor of your drawing tool as long and as sharp as feasible. You’ll be in an awesome position to make particular and elegant strokes in preference to blunt, crude ones.

December 4, 2016

December 1, 2016

Artist: Farwa Urooj

Artist: Farwa Urooj

How to Digital technology Brain Wash By Farwa Uooj

This is mu new work on social issue this is brain wash

Artist: Farwa Urooj

This is work on small canvass..... This is topic on social issues.. my issue is how to Digital technology wash over minds on related Topic  

November 29, 2016

Painting Lessons - Oil vs. Acrylic Paint

Many young artists sense that portray with acrylic paint is less difficult to paintings with as it dries very quickly and it is less difficult in terms of easy up, as you best need soap and water. However, I suppose you must explore every for yourself as they both have their pros and cons. For example oil paint has richer colour because it typically has more pigment to lake, making the shade greater bright with greater intensity. Oil paint normally stays the equal color via the drying procedure.

Acrylic paint has a extra surface(y) shade every now and then described as having a plastic look. The acrylic paint hues will dry a touch darker then they look. The real distinction in operating with every is the drying instances. Acrylic paint will dry within an hour, if now not within minutes if no drying retarder (eg: “Golden Retarder”) is brought.  Oil paints will live wet for days or weeks, depending upon the kind of pigment, humidity and temperature factors. You could add a dryer to the paint (eg “Winsor & Nutons Liquin”) to speed up the drying technique

There are actual benefits and downsides to both if you are trying to combination moist into wet paint as is finished in many pictures, oil will offer you with a higher surroundings for such rendering.  In case you are painting dry brush approach or want to paintings in a totally fast action, painting over dry paint, then acrylics would be a better preference.

I might inspire to experiment with each and as you broaden your personal style of self-expression you may make a choice as to which if no longer each serves you first-rate.

You could start paintings in acrylics and while they're dry you could paint oils over them. However, you can't paint acrylic paints over oil paint due to the fundamental physics precept of oil and water now not mixing. The acrylics will not adhere to the oil paint and will bead up and peal off.
With revel in in using oils and acrylics you could get professional sufficient to color any problem with both and it will be nearly not possible for the viewer to differentiate oil from the acrylic paint.

Under are some master paintings painted with oils and acrylics: